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| 1 | 2025-01-22 05:12:35 | 1 | Opening Spaces: An Anthology of Contemporary African Women's Writing | Yvonne Vera | 0 | <p><P>EDITOR<p>Yvonne Vera was born and raised in Bulawayo, Zimbabwe, gained her Ph.D. from York University in Canada, and was the Director of the National Gallery of Zimbabwe in Bulawayo. Yvonne Vera died at age 40 in 2005<p>Yvonne Vera’s Without a Name and Under the Tongue both won first prize in the Zimbabwe Publishers Literary Awards of 1995 and 1997 respectively. Under the Tongue won the 1997 Commonwealth Writers Prize (Africa Region). Yvonne Vera won the Swedish literary award The Voice of Africa 1999.</p> |
Yvonne Vera (Editor), Yvonne Vera | opening-spaces | yvonne-vera | 9780435910105 | 435910108 | $14.52 | Paperback | Heinemann | September 1999 | 1st Edition | General & Miscellaneous Literature Anthologies, Anthologies | 186 | 5.07 (w) x 7.78 (h) x 0.42 (d) | In this anthology the award-winning author Yvonne Vera brings together the stories of many talented writers from different parts of Africa. | <p><p>African women are seldom given the space to express their concerns, their ideas and their reflections about the societies in which they live. In situations where a good woman is expected to remain silent, literature can provide an important medium for the expression of deeply-felt and sometimes shocking views. In this anthology the award-winning author Yvonne Vera brings together the stories of many talented writers from different parts of Africa. The act as witnesses to the dramas of private and public life. Their stories challenge contemporary attitudes and behaviour, leaving no room for complacency.<p></p> |
<P>Preface<p>The Girl Who Can - Ama Ata Aidoo (Ghana)<p>Deciduous Gazettes - Melissa Tandiwe Myambo (Zimbabwe)<p>The Enigma - Lindsey Collen (Mauritius)<p>The Red Velvet Dress - Farida Karodia (South Africa)<p>Uncle Bunty - Norma Kitson (South Africa)<p>The Betrayal - Veronique Tadjo (Cote D'Ivoire)<p>The Museum - Leila Aboulela (Sudan)<p>The Power of a Plate of Rice - Ifeoma Okoye (Nigeria)<p>Stress - Lilia Momple (Mozambique)<p>A State of Outrage - Sindiwe Magona (South Africa)<p>Crocodile Tails - Chiedze Musengezi (Zimbabwe)<p>Night Thoughts - Monde Sifuniso (Zambia)<p>The Barrel of a Pen - Gugu Ndlovu (Zimbabwe)<p>A Perfect Wife - Anna Doa (Mali)<p>The Home-Coming - Milly Jafta (Namibia)<p>Notes on Contributors Acknowledgements |
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| 2 | 2025-01-22 05:12:35 | 2 | The Caine Prize for African Writing 2010: 11th Annual Collection | The Caine Prize for African Writing | 0 | The Caine Prize for African Writing | the-caine-prize-for-african-writing-2010 | the-caine-prize-for-african-writing | 9781906523374 | 1906523371 | $13.46 | Paperback | New Internationalist | August 2010 | Short Story Anthologies, African Fiction, African Literature Anthologies | 208 | 5.00 (w) x 7.70 (h) x 0.70 (d) | <p>The Caine Prize for African Writing is Africa's leading literary prize. For the past ten years it has supported and promoted contemporary African writing. Previous winners and entrants include Chimamanda Ngozi Adichie, Segun Afolabi, EC Osondu, Leila Aboulela, Brian Chikwava, Henrietta Rose-Innes, Mary Watson, and Binyavanga Wainaina.</p>
<p>The 2010 collection will include the shortlisted stories and the stories written at the Caine Prize Writers' Workshop. It will be published in time for the announcement of the award in July 2010.</p> |
<p><p>The best in new short story fiction from Africa's leading literary award.<p></p> | <P>Introduction 6<P>Caine Prize 2010 Shortlisted Stories<P>The Life of Worm Ken Barris (South Africa) 9<P>How Shall We Kill the Bishop? Lily Mabura (Kenya) 20<P>Muzungu Namwali Serpell (Zambia) 31<P>Soulmates Alex Smith (South Africa) 48<P>Stickfighting Days Olufemi Terry (Sierra Leone) 59<P>The CDC Caine Prize African Writers' Workshop Stories 2010<P>The Plantation Ovo Adagha (Nigeria) 76<P>Soul Safari Alnoor Amlani (Kenya) 86<P>A Life in Full Jude Dibia (Nigeria) 96<P>Mr Oliver Mamle Kabu (Ghana) 108<P>Happy Ending Stanley Onjezani Kenani (Malawi) 122<P>The David Thuo Show Samuel Munene (Kenya) 137<P>Set Me Free Clifford Chianga Oluoch (Kenya) 147<P>Invocations to the Dead Gill Schierhout (South Africa) 163<P>Almost Cured of Sadness Vuyo Seripe (South Africa) 176<P>The Journey Valerie Tagwira (Zimbabwe) 187<P>The King and I Novuyo Rosa Tshuma (Zimbabwe) 200<P>Indigo Molara Wood (Nigeria) 212<P>Rules 224 |
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| 3 | 2025-01-22 05:12:35 | 3 | African Folktales | Roger D. Abrahams | 0 | Roger D. Abrahams, Dan Frank | african-folktales | roger-d-abrahams | 9780394721170 | 394721179 | $18.95 | Paperback | Knopf Doubleday Publishing Group | August 1983 | Travel, Africa | <p><P>Nearly 100 stories from over 40 tribe-related myths of creation, tales of epic deeds, ghost stories and tales set in both the animal and human realms.</p><h3>Library Journal</h3><p>This volume sports a hefty 95 stories gleaned from the notes of the earliest missionaries on up to recent anthropological studies. Abrahams admits that reading the stories lacks the full impact of hearing them told aloud but contends that they can nonetheless still be enjoyed. The stories feature numerous illustrations. Copyright 2001 Cahners Business Information.</p> |
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| 4 | 2025-01-22 05:12:35 | 4 | Unchained Voices: An Anthology of Black Authors in the English-Speaking World of the Eighteenth Century | Vincent Carretta | 0 | Vincent Carretta | unchained-voices | vincent-carretta | 9780813190761 | 813190762 | $30.00 | Paperback | University Press of Kentucky | December 2003 | Expanded | United States History - African American History, African American History, African Diaspora History, American Literature Anthologies, Anthologies, Ethnic & Minority Studies, United States History - 18th Century - General & Miscellaneous, Africana - Afric | 416 | 6.10 (w) x 9.40 (h) x 1.10 (d) | Vincent Carretta has assembled the most comprehensive anthology ever published of writings by eighteenth-century people of African descent, capturing the surprisingly diverse experiences of blacks on both sides of the Atlantic--America, Britain, the West Indies, and Africa--between 1760 and 1798. | <p><P>Vincent Carretta has assembled the most comprehensive anthology ever published of writings by eighteenth-century people of African descent, capturing the surprisingly diverse experiences of blacks on both sides of the Atlantic—America, Britain, the West Indies, and Africa—between 1760 and 1798.</p><h3>African American Review</h3><p>This excellent anthology meets a longstanding need for a scholarly collection of early Anglo African and African American writers.</p> |
<TABLE><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Acknowledgments</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Introduction</TD><TD WIDTH="10%" ALIGN="RIGHT">1</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Note on the Texts and Editorial Policy</TD><TD WIDTH="10%" ALIGN="RIGHT">17</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Note on Money</TD><TD WIDTH="10%" ALIGN="RIGHT">18</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Notes on the Illustrations</TD><TD WIDTH="10%" ALIGN="RIGHT">19</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Narrative of the Uncommon Sufferings, and Surprizing Deliverance of Briton Hammon, A Negro Man</TD><TD WIDTH="10%" ALIGN="RIGHT">20</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Poems: An Evening Thought</TD><TD WIDTH="10%" ALIGN="RIGHT">26</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">An Address to Miss Phillis Wheatly, Ethiopian Poetess</TD><TD WIDTH="10%" ALIGN="RIGHT">26</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Narrative of the Most Remarkable Particulars in the Life of James Albert Ukawsaw Gronniosaw, An African Prince, As related by Himself</TD><TD WIDTH="10%" ALIGN="RIGHT">32</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Poems: An Elegiac Poem, on the Death of ... George Whitefield</TD><TD WIDTH="10%" ALIGN="RIGHT">59</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Poems on Various Subjects, Religious and Moral</TD><TD WIDTH="10%" ALIGN="RIGHT">59</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">"To His Excellency General Washington"</TD><TD WIDTH="10%" ALIGN="RIGHT">59</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">"An Ode"</TD><TD WIDTH="10%" ALIGN="RIGHT">72</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Letters of the Late Ignatius Sancho, an African, in Two Volumes. To Which are Prefixed, Memoirs of his Life</TD><TD WIDTH="10%" ALIGN="RIGHT">77</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Narrative of the Lord's wonderful Dealings with John Marrant, a Black</TD><TD WIDTH="10%" ALIGN="RIGHT">110</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Life and Confession of Johnson Green, Who Is to Be Executed this day, August 17th, 1786, for the Atrocious Crime of Burglary; Together with his Last and Dying Words</TD><TD WIDTH="10%" ALIGN="RIGHT">134</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">"Petition of an African Slave, to the Legislature of Massachusetts" (1782), from The American Museum, or Repository of Ancient and Modern Fugitive Pieces, Prose and Poetical. For June 1787</TD><TD WIDTH="10%" ALIGN="RIGHT">142</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Thoughts and Sentiments on the Evil and Wicked Traffic of The Slavery and Commerce of the Human Species, Humbly Submitted to the Inhabitants of Great-Britain, By Ottobah Cugoano, a Native of Africa</TD><TD WIDTH="10%" ALIGN="RIGHT">145</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African. Written by Himself</TD><TD WIDTH="10%" ALIGN="RIGHT">185</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Copy of a Letter from Benjamin Banneker to the Secretary of State with his Answer</TD><TD WIDTH="10%" ALIGN="RIGHT">319</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">"An Account of several Baptist Churches, consisting chiefly of Negro Slaves: particularly of one of Kingston, in Jamaica; and another at Savannah in Georgia"</TD><TD WIDTH="10%" ALIGN="RIGHT">325</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">"An Account of the Life of Mr. David George, from Sierra Leone in Africa; given by himself in a Conversation with Brother Rippon of London, and Brother Pearce of Birmingham"</TD><TD WIDTH="10%" ALIGN="RIGHT">333</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">"Memoirs of the Life of Boston King, a Black Preacher. Written by Himself, during his Residence at Kingswood-School"</TD><TD WIDTH="10%" ALIGN="RIGHT">351</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Narrative of the Life and Adventures of Venture, a Native of Africa: But resident above sixty years in the United States of America. Related By Himself</TD><TD WIDTH="10%" ALIGN="RIGHT">369</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">App: Biographical Sketches</TD><TD WIDTH="10%" ALIGN="RIGHT">389</TD></TABLE> |
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<h4>African American Review</h4>This excellent anthology meets a longstanding need for a scholarly collection of early Anglo African and African American writers.
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<h4>From the Publisher</h4><p>"An important work for gaining an understanding of a heretofore little examined aspect of the eighteenth century." -- Bloomsbury Review</p>
<p>"The selection of texts is diverse and wide-ranging.... The most comprehensive anthology on the subject and deserves to become the standard text for students in eighteenth-century studies and American studies." -- British Journal for Eighteenth-Century Studies</p>
<p>"Establishes the canon of Black diasporic authors writing in English in the 18th century and makes the texts accessible to scholars and students." -- East-Central Intelligencer</p>
<p>"Carretta has done eighteenth-century studies an immeasurable service.... The definitive anthology of black writing of the eighteenth-century African diaspora, serving the purpose of both introduction to and contestation of the overlapping fields of American, British, religious, and African studies." -- Eighteenth-Century Fiction</p>
<p>"Most challenging and exhaustive, both in quality and quantity of research, presentation, scope, and premise. Carretta seeks to validate what for him is an unbroken link of unshackled black literary voices." -- Eighteenth-Century Studies</p>
<p>"This is the most comprehensive collection of writings by people of African descent on both sides of the Atlantic more than 200 years ago." -- Lexington Herald-Leader</p>
<p>"An excellent anthology." -- Times Literary Supplement</p>
<p>"Cause for celebration.... Will no doubt contribute to the ongoing rethinking of the eighteenth-century canon." -- Year's Work in English Studies</p>
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| 5 | 2025-01-22 05:12:35 | 5 | Women Writing Africa: West Africa and the Sahel | Esi Sutherland-Addy | 0 | <p><P>Esi Sutherland-Addy (Ph.D. Hon, Hon FCP) is senior research fellow, head of the Language, Literature, and Drama Section, Institute of African Studies, and associate director of the African Humanties Institue Program at the University of Ghana. Aminata Diaw teaches in the Faculty of Arts and Humanities at the Cheikh Anta Diop University in Dakar, Sénégal, where she is currently the public affairs director of the Centre for Cultural and Scientific Programs. She is also Secretary General of the Sénégalese Council of Women and Chair for the subcommittee on Humanities and Social Sciences of the National Commission of UNESCO.</p> |
Esi Sutherland-Addy (Editor), Abena P. A. Busia (Editor), Aminata Diaw | women-writing-africa | esi-sutherland-addy | 9781558615007 | 1558615008 | $29.95 | Paperback | Feminist Press at CUNY, The | August 2005 | Literary Criticism - General & Miscellaneous, Oral Tradition & Storytelling, African Literature Anthologies | 560 | 6.00 (w) x 9.00 (h) x 1.30 (d) | <p>The acclaimed Women Writing Africa project “opens up worlds too often excluded from the history books” (<i>Booklist</i>) and is an “essential resource for scholars and general readers alike” (<i>Library Journal</i>). It reveals the cultural legacy of African women in their own words, in never-before- published texts that include communal songs and lullabies, letters and speeches, poetry and fiction.</p>
<p>Representing 20 languages and 12 countries, volume 2 covers western Africa, where most African Americans find their roots. The collection presents an epic history of the region through the eyes of its women, from the age of African kings through colonialism and independence.</p>
<p>Volume 1 of the series, <i>Women Writing Africa: The Southern Region</i>, is also available; volumes 3 and 4 will be published in 2006.</p> |
<p><P>A major literary and scholarly work that transforms perceptions of West African women's history and culture.</p><h3>Library Journal</h3><p>This second of four volumes representing the literary expression of African women focuses on 12 West African nations, documenting the history of this expression since upward of six centuries before colonialism and 20th-century independence. Editors Sutherland-Addy (language, literature, & drama, Inst. for African Studies, Univ. of Ghana) and Diaw (philosophy, Univ. Cheikh Anta Kiop in Dakar, Senegal) have compiled 132 texts accompanied by head notes by eminent authors (e.g., Buchi Emecheta, Ama Ata Aidoo, and Bernadette Dao Sanou) to explain their cultural and historical contexts. These texts showcase not just the written word-in the form of letters, diaries, historical documents-but the spoken word as well, in lullabies, songs, and other oral traditions. Some of these texts are full of celebration and some of powerful emotions; all evoke powerful imagery. Both the texts and the head notes are fascinating to read, and the reader is truly gripped by the passion and emotion of the writers. This anthology provides an epic tale of African history while highlighting African women's valuable contributions to their culture and bringing their voices to life for readers everywhere. Highly recommended.-Susan McClellan, Avalon P.L., Pittsburgh Copyright 2005 Reed Business Information.</p> |
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<h4>Library Journal</h4>This second of four volumes representing the literary expression of African women focuses on 12 West African nations, documenting the history of this expression since upward of six centuries before colonialism and 20th-century independence. Editors Sutherland-Addy (language, literature, & drama, Inst. for African Studies, Univ. of Ghana) and Diaw (philosophy, Univ. Cheikh Anta Kiop in Dakar, Senegal) have compiled 132 texts accompanied by head notes by eminent authors (e.g., Buchi Emecheta, Ama Ata Aidoo, and Bernadette Dao Sanou) to explain their cultural and historical contexts. These texts showcase not just the written word-in the form of letters, diaries, historical documents-but the spoken word as well, in lullabies, songs, and other oral traditions. Some of these texts are full of celebration and some of powerful emotions; all evoke powerful imagery. Both the texts and the head notes are fascinating to read, and the reader is truly gripped by the passion and emotion of the writers. This anthology provides an epic tale of African history while highlighting African women's valuable contributions to their culture and bringing their voices to life for readers everywhere. Highly recommended.-Susan McClellan, Avalon P.L., Pittsburgh Copyright 2005 Reed Business Information.
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| 6 | 2025-01-22 05:12:35 | 6 | 10 Years of the Caine Prize for African Writing: Plus Coetzee, Gordimer, Achebe, Okri | The Caine The Caine Prize for African Writing | 0 | The Caine The Caine Prize for African Writing | 10-years-of-the-caine-prize-for-african-writing | the-caine-the-caine-prize-for-african-writing | 9781906523244 | 190652324X | $18.95 | Hardcover | New Internationalist | September 2009 | Literary Collections | <p><p>The 10 winning stories accompanied by stories from the former African Booker prizewinners.<p></p><h3>Publishers Weekly</h3><p>Starred Review. <P>As exhibited in this collection, the Caine Prize, founded in 1999 in honor of the late Sir Michael Caine's work to popularize African writing in English, has spotlighted some exceptional writing; each prize-winning short story included here (the Caine is also known as the African Booker; as such, African winners of the Booker prize also appear) examines and explodes stereotypes about Africa and its literature. Characters reveal dignity and doubt in extraordinary situations, including a grandmother who abandons her frail husband in order to carry her grandchildren to safety in Nadine Gordimer's powerful "The Ultimate Safari." J. M. Coetzee's "Nietverloren" examines the changing face of Africa through the demise of a small family farm. Binyavanga Wainaina's "Discovering Home," meanwhile, contrasts a young man's year at home in Kenya after several years of cosmopolitan Cape Town life. Despite a rich diversity of style and subject matter, each story, as described in Ben Okri's introduction, "reveals what hides in people," offering intimate glimpses into an array of African lives. Anyone who enjoys realistic literary fiction will treasure this collection. <BR>Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.</p> |
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| 7 | 2025-01-22 05:12:35 | 7 | Introduction to African Oral Literature and Performance | Bayo Ogunjimi | 0 | <p>Abdul-Rasheed Na'Allah, Ph.D., has taught African performance, African and African Diaspora literature, folklore and comparative poetics in Nigeria, Canada and the United States. Among his books are Ogoni's Agonies, Almajiri, and The People's Poet: Emerging Perspectives on Niyi Osundare. <p></p> Bayo Ogunjimi, Ph.D., deceased in 1996, was a professor of African oral literature and English at the University of Ilorin, Nigeria. His critical essays have appeared in journals around the world.</p> |
Bayo Ogunjimi, Abdul Rasheed Na'allah | introduction-to-african-oral-literature-and-performance | bayo-ogunjimi | 9781592211517 | 1592211518 | $23.95 | Hardcover | Africa World Press | February 2006 | New Edition | Africa - Anthropology & Sociology, African Folklore & Mythology, Oral Tradition & Storytelling, General & Miscellaneous African Literature - Literary Criticism, African Literature Anthologies, Fables, Fairy Tales, & Folk Tales - Literary Criticism | 146 | 8.30 (w) x 5.30 (h) x 0.80 (d) | This new book puts together in a single cover, two earlier volumes by the authors, now revised to meet the challenges of a twenty-first century scholarship in African performance and cultural studies. Topics covered range from sources of African oral traditions, relevance of cosmology to African oral performance, fieldwork practice and research methodology, archetypes, folktales, myths and legends, performance and stylistic features, to various areas of poetic performances like praise poetry, religious poetry, topical, occupational and heroic poetry, their performances and more. The central theme of the book is performance, and students, scholars and readers are provided with projects and exercises intended to keep them involved in research and performance experience of the oral forms. Teaching and curriculum development suggestions are given to teachers of African oral performances. Important information is provided to guide researchers into a continued exciting experience in the study of and research into African oral traditions. Materials are included from a good number of languages and cultures of Africa including Yoruba, Hausa, Nupe, among others, so that students would be able to explore these important examples as testimony of the richness of the scholarly and cultural resources in African oral traditions. |
<p>This new book puts together in a single cover, two earlier volumes by the authors, now revised to meet the challenges of a twenty-first century scholarship in African performance and cultural studies. Topics covered range from sources of African oral traditions, relevance of cosmology to African oral performance, fieldwork practice and research methodology, archetypes, folktales, myths and legends, performance and stylistic features, to various areas of poetic performances like praise poetry, religious poetry, topical, occupational and heroic poetry, their performances and more. <p></p> The central theme of the book is performance, and students, scholars and readers are provided with projects and exercises intended to keep them involved in research and performance experience of the oral forms. Teaching and curriculum development suggestions are given to teachers of African oral performances. Important information is provided to guide researchers into a continued exciting experience in the study of and research into African oral traditions. <p></p>Materials are included from a good number of languages and cultures of Africa including Yoruba, Hausa, Nupe, among others, so that students would be able to explore these important examples as testimony of the richness of the scholarly and cultural resources in African oral traditions.</p> |
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| 8 | 2025-01-22 05:12:35 | 8 | Violence in Francophone African and Caribbean Women's Literature | Marie-Chantal Kalisa | 0 | <p><p>Chantal Kalisa is an associate professor of francophone studies in the Department of Modern Languages and Literatures and in the Women’s and Gender Studies Program at the University of Nebraska–Lincoln. She is a coeditor of a book in French on the Rwandan genocide.<p></p> | Marie-Chantal Kalisa | violence-in-francophone-african-and-caribbean-womens-literature | marie-chantal-kalisa | 9780803211025 | 803211023 | $45.00 | Hardcover | UNP - Nebraska | December 2009 | Literary Criticism - General & Miscellaneous, Caribbean Fiction & Prose Literature - Literary Criticism, African Literature Anthologies | 236 | 5.80 (w) x 8.60 (h) x 1.00 (d) | African and Caribbean peoples share a history dominated by the violent disruptions of slavery and colonialism. While much has been said about these “geographies of pain,” violence in the private sphere, particularly gendered violence, receives little attention. This book fills that void. It is a critical addition to the study of African and Caribbean women’s literatures at a time when women from these regions are actively engaged in articulating the ways in which colonial and postcolonial violence impact women. Chantal Kalisa examines the ways in which women writers lift taboos imposed on them by their society and culture and challenge readers with their unique perspectives on violence. Comparing women from different places and times, Kalisa treats types of violence such as colonial, familial, linguistic, and war-related, specifically linked to dictatorship and genocide. She examines Caribbean writers Michele Lacrosil, Simone Schwartz-Bart, Gisèle Pineau, and Edwidge Danticat, and Africans Ken Begul, Calixthe Beyala, Nadine Bar, and Monique Ilboudo. She also includes Sembène Ousmane and Frantz Fanon for their unique contributions to the questions of violence and gender. This study advances our understanding of the attempts of African and Caribbean women writers to resolve the tension between external forms of violence and internal forms resulting from skewed cultural, social, and political rules based on gender. |
<p><p>African and Caribbean peoples share a history dominated by the violent disruptions of slavery and colonialism. While much has been said about these “geographies of pain,” violence in the private sphere, particularly gendered violence, receives little attention. This book fills that void. It is a critical addition to the study of African and Caribbean women’s literatures at a time when women from these regions are actively engaged in articulating the ways in which colonial and postcolonial violence impact women.<p> <p>Chantal Kalisa examines the ways in which women writers lift taboos imposed on them by their society and culture and challenge readers with their unique perspectives on violence. Comparing women from different places and times, Kalisa treats types of violence such as colonial, familial, linguistic, and war-related, specifically linked to dictatorship and genocide. She examines Caribbean writers Michele Lacrosil, Simone Schwartz-Bart, Gisèle Pineau, and Edwidge Danticat, and Africans Ken Begul, Calixthe Beyala, Nadine Bar, and Monique Ilboudo. She also includes Sembène Ousmane and Frantz Fanon for their unique contributions to the questions of violence and gender. This study advances our understanding of the attempts of African and Caribbean women writers to resolve the tension between external forms of violence and internal forms resulting from skewed cultural, social, and political rules based on gender.<p></p><h3>African Affairs</h3><p><p>"This study advances our understanding of the attempts of African and Caribbean women writers to resolve the tension between external forms of violence and internal forms resulting from skewed cultural, social, and political rules based on gender."—<i>African Affairs</i><p></p> |
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<h4>African Affairs</h4>"This study advances our understanding of the attempts of African and Caribbean women writers to resolve the tension between external forms of violence and internal forms resulting from skewed cultural, social, and political rules based on gender."—<i>African Affairs</i>
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<h4>Choice</h4><p>"Including an excellent bibliography, this is an important work in literary and gender studies."—A. J. Guillaume Jr., <i>Choice</i></p>
<p>— A. J. Guillaume</p>
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<h4>Research in African Literatures</h4><p>"Kalisa’s analysis of gendered violence is a persuasive and timely study of violence in francophone African and Caribbean literature. It is a significant contribution to the field of women studies and is of interest to any gender theorist, postcolonial specialist, and Africana scholar."—Cheikh Thiam, <i>Research in African Literatures</i></p>
<p>— Cheikh Thiam</p>
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<h4>Choice</h4>"Including an excellent bibliography, this is an important work in literary and gender studies."—A. J. Guillaume Jr., <i>Choice</i>
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<h4>Research in African Literatures</h4>"Kalisa's analysis of gendered violence is a persuasive and timely study of violence in francophone African and Caribbean literature. It is a significant contribution to the field of women studies and is of interest to any gender theorist, postcolonial specialist, and Africana scholar."—Cheikh Thiam, <i>Research in African Literatures</i>
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| 9 | 2025-01-22 05:12:35 | 9 | Oral Epics from Africa | John William Johnson | 0 | John William Johnson, Thomas A. Hale, Stephen (Eds.) Belcher, Thomas A. Hale (Editor), Stephen Belcher | oral-epics-from-africa | john-william-johnson | 9780253211101 | 253211107 | $24.95 | Paperback | Indiana University Press | March 2008 | 1st Edition | Literary Criticism, African | <p><P>"The editors... must be congratulated... Long live the African storytellers!" — Africa Today<P>"It is difficult to imagine a more practical introduction to contemporary African epic than this anthology... no other single volume comprehends the full scope of African epic (as opposed to praise poetry) the way this one does.... The stories are engaging, and the free-verse translations are surprisingly readable.... Recommended for all academic collections." — Choice<P>Western culture traces its literary heritage to such well-known epics as the Iliad and the Odyssey and Gilgamesh. But it is only recently that scholars have turned their attention toward capturing the rich oral tradition that is still alive in Africa today. These 25 selections introduce English-speaking readers to the extensive epic traditions in Africa.</p> |
<table><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Preface</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Acknowledgments</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Introduction: The Oral Epic in Africa</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Soninke Epics</TD><TD WIDTH="10%" ALIGN="RIGHT">3</TD><TR><TD WIDTH="20%">1</TD><TD WIDTH="70%">The Epic of Wagadu</TD><TD WIDTH="10%" ALIGN="RIGHT">4</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Mande Epics</TD><TD WIDTH="10%" ALIGN="RIGHT">8</TD><TR><TD WIDTH="20%">2</TD><TD WIDTH="70%">The Epic of Son-Jara (Maninka)</TD><TD WIDTH="10%" ALIGN="RIGHT">11</TD><TR><TD WIDTH="20%">3</TD><TD WIDTH="70%">The Epic of Fa-Jigi (Wasulunka)</TD><TD WIDTH="10%" ALIGN="RIGHT">23</TD><TR><TD WIDTH="20%">4</TD><TD WIDTH="70%">The Epic of Bamana Segu (Bamana)</TD><TD WIDTH="10%" ALIGN="RIGHT">34</TD><TR><TD WIDTH="20%">5</TD><TD WIDTH="70%">The Epic of Sonsan of Kaarta (Bamana)</TD><TD WIDTH="10%" ALIGN="RIGHT">50</TD><TR><TD WIDTH="20%">6</TD><TD WIDTH="70%">The Epic of Almami Samori Toure (Bamana)</TD><TD WIDTH="10%" ALIGN="RIGHT">68</TD><TR><TD WIDTH="20%">7</TD><TD WIDTH="70%">The Epic of Musadu (Maninka)</TD><TD WIDTH="10%" ALIGN="RIGHT">80</TD><TR><TD WIDTH="20%">8</TD><TD WIDTH="70%">The Epic of Kelefa Saane (Mandinka)</TD><TD WIDTH="10%" ALIGN="RIGHT">92</TD><TR><TD WIDTH="20%">9</TD><TD WIDTH="70%">The Epic of Kambili (Wasulunka)</TD><TD WIDTH="10%" ALIGN="RIGHT">100</TD><TR><TD WIDTH="20%">10</TD><TD WIDTH="70%">The Epic of Sara (Maninka)</TD><TD WIDTH="10%" ALIGN="RIGHT">114</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Songhay and Zarma Epics</TD><TD WIDTH="10%" ALIGN="RIGHT">124</TD><TR><TD WIDTH="20%">11</TD><TD WIDTH="70%">The Epic of Askia Mohammed</TD><TD WIDTH="10%" ALIGN="RIGHT">126</TD><TR><TD WIDTH="20%">12</TD><TD WIDTH="70%">The Epic of Mali Bero</TD><TD WIDTH="10%" ALIGN="RIGHT">133</TD><TR><TD WIDTH="20%">13</TD><TD WIDTH="70%">The Epic of Issa Korombe</TD><TD WIDTH="10%" ALIGN="RIGHT">140</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Fulbe Epics</TD><TD WIDTH="10%" ALIGN="RIGHT">147</TD><TR><TD WIDTH="20%">14</TD><TD WIDTH="70%">The Epic of Hambodedio and Saigalare</TD><TD WIDTH="10%" ALIGN="RIGHT">149</TD><TR><TD WIDTH="20%">15</TD><TD WIDTH="70%">The Epic of Silamaka and Poullori</TD><TD WIDTH="10%" ALIGN="RIGHT">162</TD><TR><TD WIDTH="20%">16</TD><TD WIDTH="70%">The Epic of Silamaka and Hambodedio</TD><TD WIDTH="10%" ALIGN="RIGHT">172</TD><TR><TD WIDTH="20%">17</TD><TD WIDTH="70%">The Epic of Samba Gueladio Diegui</TD><TD WIDTH="10%" ALIGN="RIGHT">185</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Wolof Epics</TD><TD WIDTH="10%" ALIGN="RIGHT">200</TD><TR><TD WIDTH="20%">18</TD><TD WIDTH="70%">The Epic of Njaajaan Njaay</TD><TD WIDTH="10%" ALIGN="RIGHT">201</TD><TR><TD WIDTH="20%">19</TD><TD WIDTH="70%">The Epic of Lat Dior</TD><TD WIDTH="10%" ALIGN="RIGHT">211</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Egyptian Epics</TD><TD WIDTH="10%" ALIGN="RIGHT">227</TD><TR><TD WIDTH="20%">20</TD><TD WIDTH="70%">The Epic of the Bani Hilal: The Birth of the Horo Abu Zayd. I. (Northern Egypt)</TD><TD WIDTH="10%" ALIGN="RIGHT">228</TD><TR><TD WIDTH="20%">21</TD><TD WIDTH="70%">The Epic of Bani Hilal: The Birth of Abu Zayd. II (Southern Egypt)</TD><TD WIDTH="10%" ALIGN="RIGHT">240</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Central African Epics</TD><TD WIDTH="10%" ALIGN="RIGHT">255</TD><TR><TD WIDTH="20%">22</TD><TD WIDTH="70%">The Epic of Mvet Moneblum, or The Blue Man</TD><TD WIDTH="10%" ALIGN="RIGHT">257</TD><TR><TD WIDTH="20%">23</TD><TD WIDTH="70%">The Epic of Jeki la Njambe Inono</TD><TD WIDTH="10%" ALIGN="RIGHT">274</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">baNyanga Epics of Zaire</TD><TD WIDTH="10%" ALIGN="RIGHT">285</TD><TR><TD WIDTH="20%">24</TD><TD WIDTH="70%">The Mwindo Epic</TD><TD WIDTH="10%" ALIGN="RIGHT">286</TD><TR><TD WIDTH="20%">25</TD><TD WIDTH="70%">The Epic of Kahindo</TD><TD WIDTH="10%" ALIGN="RIGHT">294</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Bibliography</TD><TD WIDTH="10%" ALIGN="RIGHT">303</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Index</TD><TD WIDTH="10%" ALIGN="RIGHT">315</TD></table> |
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| 10 | 2025-01-22 05:12:35 | 10 | African Fundamentalism: A Literary and Cultural Anthology of Garvey's Harlem Renaissance | Tony Martin | 0 | Tony Martin | african-fundamentalism | tony-martin | 9780912469096 | 912469099 | $14.95 | Hardcover | Majority Press, Incorporated, The | October 1991 | Literary Criticism, General | 363 | 5.31 (w) x 8.20 (h) x 0.85 (d) | ||||||||||||||
| 11 | 2025-01-22 05:12:37 | 11 | Land Apart: A South African Reader | Various | 0 | Various, Andre Brink, J. M. Coetzee | land-apart | various | 9780140100044 | 140100040 | $12.71 | Paperback | Penguin Group (USA) | June 1987 | African Literature Anthologies | 256 | 5.08 (w) x 7.74 (h) x 0.56 (d) | ||||||||||||||
| 12 | 2025-01-22 05:12:37 | 12 | Women Writing Africa: The Eastern Region | Amandina Lihamba | 0 | <p><P>Amandina Lihamba is Dean of the Faculty of Arts and Sciences at Dar Es Salaam University, in Dar Es Salaam, Tanzania. She holds a degree in film studies from UCLA. Fulata L. Moyo has been Coordinator of the Department of Theology and Religious Studies at the University of Malawi, in Zomba, Malawi. She is now working on a doctorate in religious studies at Lutheran Theological Institute in Pietermaritzburg, South Africa. Mugyabuso M. Mulokozi is Director of the Institute of Kiswahili Research at Dar Es Salaam University in Tanzania. He is a scholar, a well-known poet, and translator. Naomi L. Shitemi, was a coordinator of the Department of Kiswahili and other African Languages at Moi University, in Eldoret, Kenya. She is now Dean of a division in that university.</p> |
Amandina Lihamba (Editor), Fulata L. Moyo (Editor), Mugaybuso M. Mulokozi | women-writing-africa | amandina-lihamba | 9781558615342 | 1558615342 | $29.95 | Paperback | Feminist Press at CUNY, The | February 2007 | Social Sciences, Women's Studies | <p><P>Third installment of major literary and scholarly project exposes East African women's history and culture.</p><h3>Publishers Weekly</h3><p><P>The third volume from the Women Writing Africa Project makes a significant contribution to the study of African literature and offers a textured portrait of women's lives in Kenya, Malawi, Tanzania, Uganda and Zambia. These pieces span the centuries from 1711 to 2003, address topics ranging from religion to HIV and represent prose and poetry, fiction and nonfiction, lullabies and protest songs. Marriage is a theme that runs throughout: "A Mother's Advice and Prayer" from 1858 is a nuptial manual in verse, and "I Want a Divorce," taken from a 1922 court record, gives a valuable glimpse of the power struggles between husband and wife. On a lighter note, a collection of recent song lyrics complains about useless husbands and lovers. Many 20th-century writers address colonialism and independence: Penina Muhando Mlama's "Creating in the Mother-Tongue" looks at the linguistic, literary and socioeconomic obstacles to writing in indigenous languages. The editors' lucid introduction usefully contextualizes these wonderful writings, and this volume will be especially welcome in college classrooms. General readers who want to be entertained, educated and chastened about women's struggles and triumphs in east Africa will delight in this literary feast. <I>(July)</I></P>Copyright 2007 Reed Business Information</p> |
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| 13 | 2025-01-22 05:12:37 | 13 | Nobody Ever Said AIDS: Poems and Stories from Southern Africa | Nobantu Rasebotsa | 0 | <p>Nobantu Rasebotsa is the dean of the faculty of humanities and lectures in the department of English at the University of Botswana. <p>Meg Samuelson is completing her doctoral dissertation at the University of Cape Town and has been involved with HIV/AIDS projects. She is the coordinator of the "Share Your Story about HIV/AIDS" creative writing competition.</p> | Nobantu Rasebotsa (Editor), Kylie Thomas (Editor), Meg Samuelson (Editor), Njabulo S. Ndebele | nobody-ever-said-aids | nobantu-rasebotsa | 9780795701849 | 795701845 | $22.13 | Paperback | NB Publishers | March 2010 | New Edition | Places - Literary Anthologies, African Literature Anthologies | 192 | 5.40 (w) x 8.30 (h) x 0.60 (d) | While numerous texts have dealt with the AIDS pandemic in Africa from the clinical, economic, and sociological to the academic and technical this anthology of poems and short stories connects on a human level and reflects an entire society dealing with the challenges of overcoming AIDS and HIV. Well-known writers such as Achmat Dangor, Dambudzo Marechera, and Sindiwe Magona join 16 new writers selected from the "Share Your Story about HIV/AIDS" creative writing competition funded by the Swedish donor foundation, SIDA, and conducted in collaboration with the University of Cape Town. Their intimate stories and poems explore love, sexuality, stigma, and loss, bearing witness to the disease and responding to its silent taboo. |
<p>While numerous texts have dealt with the AIDS pandemic in Africa from the clinical, economic, and sociological to the academic and technical this anthology of poems and short stories connects on a human level and reflects an entire society dealing with the challenges of overcoming AIDS and HIV. Well-known writers such as Achmat Dangor, Dambudzo Marechera, and Sindiwe Magona join 16 new writers selected from the "Share Your Story about HIV/AIDS" creative writing competition funded by the Swedish donor foundation, SIDA, and conducted in collaboration with the University of Cape Town. Their intimate stories and poems explore love, sexuality, stigma, and loss, bearing witness to the disease and responding to its silent taboo.</p> |
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| 14 | 2025-01-22 05:12:37 | 14 | Step into a World: A Global Anthology of the New Black Literature | Kevin Powell | 0 | <p><P>KEVIN POWELL is a critically acclaimed poet, journalist, essayist, and public speaker. A former senior writer for Vibe, he has been published in dozens of periodicals, including the Washington Post, Essence, Code, Rolling Stone, the New York Times, George, Ms., and voter.com.</p> | Kevin Powell (Editor), Powell | step-into-a-world | kevin-powell | 9780471380603 | 471380601 | $26.31 | Hardcover | Wiley, John & Sons, Incorporated | October 2000 | 1 | Peoples & Cultures - American Anthologies, Literature Anthologies - General & Miscellaneous, African Literature Anthologies, African Diaspora (outside U.S.) - General & Miscellaneous, English & Irish Literature Anthologies | 496 | 6.48 (w) x 9.55 (h) x 1.48 (d) | <p>Step Into A World</p>
<p>"Kevin Powell is pushing to bring, as he has so brilliantly done before, the voices of his generation: the concerns, the cares, the fears, and the fearlessness. Step into a World is a kaleidoscope into the world not bound by artificial constructs like nation. John Coltrane recorded ‘Giant Steps,’ which is a riff on the sight and sounds in his muse. Powell plays the computer with equal astuteness." Nikki Giovanni</p>
<p>"Those of us who pay attention were aware that the younger generation of black writers was being smothered by the anointment of talented tenth Divas and Divuses, and their commercial accommodationist ‘Fourth Renaissance. ’This anthology is indeed a breakthrough! It combines the boldness and daring of hip-hop with the intellectual keenness of a Michele Wallace or a Clyde Taylor." Ishmael Reed</p>
<p>"In a culture where videos, the Internet, and other high-tech communication is being consumed like the latest mind-altering drug, how does great literature grow and survive? These writers will answer that all-important question. This anthology provides a clue, a hint, as to where we might be going. They are resisting all this vacant, empty-minded nothingness. Read them. Listen to them. If you don’t, you do so at your peril." Quincy Troupe</p> |
<p><P>Step Into A World<br> <br> "Kevin Powell is pushing to bring, as he has so brilliantly done before, the voices of his generation: the concerns, the cares, the fears, and the fearlessness. Step into a World is a kaleidoscope into the world not bound by artificial constructs like nation. John Coltrane recorded 'Giant Steps,' which is a riff on the sight and sounds in his muse. Powell plays the computer with equal astuteness." -Nikki Giovanni<br> <br> "Those of us who pay attention were aware that the younger generation of black writers was being smothered by the anointment of talented tenth Divas and Divuses, and their commercial accommodationist 'Fourth Renaissance. 'This anthology is indeed a breakthrough! It combines the boldness and daring of hip-hop with the intellectual keenness of a Michele Wallace or a Clyde Taylor." -Ishmael Reed<br> <br> "In a culture where videos, the Internet, and other high-tech communication is being consumed like the latest mind-altering drug, how does great literature grow and survive? These writers will answer that all-important question. This anthology provides a clue, a hint, as to where we might be going. They are resisting all this vacant, empty-minded nothingness. Read them. Listen to them. If you don't, you do so at your peril." -Quincy Troupe</p><h3>Essence - Patrick Henry Bass</h3><p>Cultural critic Kevin Powell's <i>Step into a World</i> is a watershed moment in hip-hop writing, a thought-provoking book with a broad range of voices, from Ben Okri to Junot Didaz. </p> |
<TABLE><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Acknowledgments</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Word Movement</TD><TD WIDTH="10%" ALIGN="RIGHT">1</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Are Black People Cooler than White People?</TD><TD WIDTH="10%" ALIGN="RIGHT">15</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">GWTW</TD><TD WIDTH="10%" ALIGN="RIGHT">19</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Race Natters - The Chattering Classes Convene on Martha's Vineyard</TD><TD WIDTH="10%" ALIGN="RIGHT">23</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">In Search of Alice Walker</TD><TD WIDTH="10%" ALIGN="RIGHT">26</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Mama's Girl</TD><TD WIDTH="10%" ALIGN="RIGHT">32</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Visible Man</TD><TD WIDTH="10%" ALIGN="RIGHT">37</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Return to the Planet of the Apes</TD><TD WIDTH="10%" ALIGN="RIGHT">40</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Sports Taboo: Why blacks are like boys and whites are like girls</TD><TD WIDTH="10%" ALIGN="RIGHT">42</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Are We Tiger Woods Yet?</TD><TD WIDTH="10%" ALIGN="RIGHT">49</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">On the Disappearance of Joe Wood Jr.</TD><TD WIDTH="10%" ALIGN="RIGHT">51</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">She and I</TD><TD WIDTH="10%" ALIGN="RIGHT">53</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">White Girl?</TD><TD WIDTH="10%" ALIGN="RIGHT">59</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">What Happens When Your 'Hood Is the Last Stop on the White Flight Express?</TD><TD WIDTH="10%" ALIGN="RIGHT">68</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Texaco</TD><TD WIDTH="10%" ALIGN="RIGHT">78</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Speaking in Tongues</TD><TD WIDTH="10%" ALIGN="RIGHT">80</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Your Friendly Neighborhood Jungle</TD><TD WIDTH="10%" ALIGN="RIGHT">82</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Hip-Hop Hi-Tech</TD><TD WIDTH="10%" ALIGN="RIGHT">91</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Homophobia: Hip-Hop's Black Eye</TD><TD WIDTH="10%" ALIGN="RIGHT">95</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Death of Rock n' Roll</TD><TD WIDTH="10%" ALIGN="RIGHT">101</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Confessions of a Hip-Hop Critic</TD><TD WIDTH="10%" ALIGN="RIGHT">105</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">hip-hop feminist</TD><TD WIDTH="10%" ALIGN="RIGHT">107</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">This Is Not a Puff Piece</TD><TD WIDTH="10%" ALIGN="RIGHT">113</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Live from Death Row</TD><TD WIDTH="10%" ALIGN="RIGHT">124</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Hit 'Em Up: On the Life and Death of Tupac Shakur</TD><TD WIDTH="10%" ALIGN="RIGHT">133</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Angles of Vision</TD><TD WIDTH="10%" ALIGN="RIGHT">143</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Soul of Black Talk</TD><TD WIDTH="10%" ALIGN="RIGHT">152</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Do Books Matter?</TD><TD WIDTH="10%" ALIGN="RIGHT">159</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Other Side of Paradise - Feminist Pedagogy, Toni Morrison Iconography, and Oprah's Book Club Phenomenon</TD><TD WIDTH="10%" ALIGN="RIGHT">163</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">She's Gotta Have It</TD><TD WIDTH="10%" ALIGN="RIGHT">172</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">No Entry</TD><TD WIDTH="10%" ALIGN="RIGHT">174</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">What About Black Romance?</TD><TD WIDTH="10%" ALIGN="RIGHT">177</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">"It be's that way sometimes 'cause I can't control the rhyme." - Notes from the Post-Soul Intelligentsia</TD><TD WIDTH="10%" ALIGN="RIGHT">183</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Facing Unknown Possibilities: Lance Jeffers and the Black Aesthetic</TD><TD WIDTH="10%" ALIGN="RIGHT">195</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The White Boy Shuffle</TD><TD WIDTH="10%" ALIGN="RIGHT">203</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Interpolation: Peace to My Nine</TD><TD WIDTH="10%" ALIGN="RIGHT">207</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Epilogue: Women Like Us</TD><TD WIDTH="10%" ALIGN="RIGHT">211</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Sun, the Moon, the Stars</TD><TD WIDTH="10%" ALIGN="RIGHT">213</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Prologue, 1963</TD><TD WIDTH="10%" ALIGN="RIGHT">223</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Emperor's Babe</TD><TD WIDTH="10%" ALIGN="RIGHT">227</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">the missionary position</TD><TD WIDTH="10%" ALIGN="RIGHT">229</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">My Son, My Heart, My Life</TD><TD WIDTH="10%" ALIGN="RIGHT">238</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Last Integrationist</TD><TD WIDTH="10%" ALIGN="RIGHT">252</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">slave</TD><TD WIDTH="10%" ALIGN="RIGHT">256</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Famished Road</TD><TD WIDTH="10%" ALIGN="RIGHT">262</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Stigmata</TD><TD WIDTH="10%" ALIGN="RIGHT">265</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Pagoda</TD><TD WIDTH="10%" ALIGN="RIGHT">269</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">face</TD><TD WIDTH="10%" ALIGN="RIGHT">273</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Peculiar Second Marriage of Archie Jones</TD><TD WIDTH="10%" ALIGN="RIGHT">281</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Baker</TD><TD WIDTH="10%" ALIGN="RIGHT">282</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Rika</TD><TD WIDTH="10%" ALIGN="RIGHT">288</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Butterfly Burning</TD><TD WIDTH="10%" ALIGN="RIGHT">296</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Intuitionist</TD><TD WIDTH="10%" ALIGN="RIGHT">299</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Safari</TD><TD WIDTH="10%" ALIGN="RIGHT">307</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Rumor</TD><TD WIDTH="10%" ALIGN="RIGHT">307</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Fugue</TD><TD WIDTH="10%" ALIGN="RIGHT">308</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Clearing</TD><TD WIDTH="10%" ALIGN="RIGHT">311</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">I Dream of Jesus</TD><TD WIDTH="10%" ALIGN="RIGHT">311</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">personal</TD><TD WIDTH="10%" ALIGN="RIGHT">312</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Tat Tvam Asi (You Are the One)</TD><TD WIDTH="10%" ALIGN="RIGHT">316</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">One Irony of the Caribbean</TD><TD WIDTH="10%" ALIGN="RIGHT">318</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Legba, Landed</TD><TD WIDTH="10%" ALIGN="RIGHT">320</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Excursion to Port Royal</TD><TD WIDTH="10%" ALIGN="RIGHT">322</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Dear Mr. Ellison</TD><TD WIDTH="10%" ALIGN="RIGHT">323</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Assam</TD><TD WIDTH="10%" ALIGN="RIGHT">323</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Church Y'all</TD><TD WIDTH="10%" ALIGN="RIGHT">324</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Yellow Forms of Paradise</TD><TD WIDTH="10%" ALIGN="RIGHT">327</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">swampy river</TD><TD WIDTH="10%" ALIGN="RIGHT">329</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">from "Awakening"</TD><TD WIDTH="10%" ALIGN="RIGHT">332</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Sleep</TD><TD WIDTH="10%" ALIGN="RIGHT">334</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">When the Neighbors Fight</TD><TD WIDTH="10%" ALIGN="RIGHT">335</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">You Are Chic Now, Che</TD><TD WIDTH="10%" ALIGN="RIGHT">336</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Visitation: Grenada, 1978</TD><TD WIDTH="10%" ALIGN="RIGHT">337</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">100 Times</TD><TD WIDTH="10%" ALIGN="RIGHT">339</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Discubriendo una Fotografia de mi Madre</TD><TD WIDTH="10%" ALIGN="RIGHT">340</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">sometime in the summer there's october</TD><TD WIDTH="10%" ALIGN="RIGHT">340</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Outcome</TD><TD WIDTH="10%" ALIGN="RIGHT">344</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Toi Derricotte at Quail Ridge Books</TD><TD WIDTH="10%" ALIGN="RIGHT">345</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Nairobi Streetlights</TD><TD WIDTH="10%" ALIGN="RIGHT">346</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">3 movements</TD><TD WIDTH="10%" ALIGN="RIGHT">347</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Night when Mukoma Told the Devil to Go to Hell</TD><TD WIDTH="10%" ALIGN="RIGHT">348</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Autobiography of a Black Man</TD><TD WIDTH="10%" ALIGN="RIGHT">350</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Spotlight at the Nuyorican Poets Cafe</TD><TD WIDTH="10%" ALIGN="RIGHT">351</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Blue</TD><TD WIDTH="10%" ALIGN="RIGHT">353</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Patrimony</TD><TD WIDTH="10%" ALIGN="RIGHT">354</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Intermission in three acts in service of PLOT</TD><TD WIDTH="10%" ALIGN="RIGHT">355</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Calypso the outside woman</TD><TD WIDTH="10%" ALIGN="RIGHT">357</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Woman</TD><TD WIDTH="10%" ALIGN="RIGHT">358</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Woman</TD><TD WIDTH="10%" ALIGN="RIGHT">359</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Sunday</TD><TD WIDTH="10%" ALIGN="RIGHT">361</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Purple Impala</TD><TD WIDTH="10%" ALIGN="RIGHT">362</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Windows of Exile</TD><TD WIDTH="10%" ALIGN="RIGHT">363</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">gin and juice</TD><TD WIDTH="10%" ALIGN="RIGHT">364</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Collection Day</TD><TD WIDTH="10%" ALIGN="RIGHT">365</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Insomnia</TD><TD WIDTH="10%" ALIGN="RIGHT">366</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Shrine outside Basquiat's Studio, September 1988</TD><TD WIDTH="10%" ALIGN="RIGHT">367</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Black Youth Black Art Black Face - An Address</TD><TD WIDTH="10%" ALIGN="RIGHT">371</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">leaving a feminist organization: a personal/poetics</TD><TD WIDTH="10%" ALIGN="RIGHT">374</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">we are trying to (have me) conceive</TD><TD WIDTH="10%" ALIGN="RIGHT">376</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">if we've gotta live underground and everybody's got cancer/will poetry be enuf? - A Letter to Ntozake Shange</TD><TD WIDTH="10%" ALIGN="RIGHT">380</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Binga - Diary Entry</TD><TD WIDTH="10%" ALIGN="RIGHT">385</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Six-Hour Difference: A Dutch Perspective on the New World</TD><TD WIDTH="10%" ALIGN="RIGHT">388</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Just Beneath the Surface - An Email</TD><TD WIDTH="10%" ALIGN="RIGHT">395</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">By Invitation - An Open Letter to the President of South Africa</TD><TD WIDTH="10%" ALIGN="RIGHT">398</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">What Happened to Your Generation's Promise of "Love and Revolution"? - A Letter to Angela Davis</TD><TD WIDTH="10%" ALIGN="RIGHT">401</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">An Atlantic Away: A Letter from Africa</TD><TD WIDTH="10%" ALIGN="RIGHT">404</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Contributors</TD><TD WIDTH="10%" ALIGN="RIGHT">419</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Self-Portraith Radcliffe Bailey, the Cover Artist</TD><TD WIDTH="10%" ALIGN="RIGHT">452</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Selected Bibliography of Black Literature</TD><TD WIDTH="10%" ALIGN="RIGHT">453</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Books Essential to Understanding Hip-Hop Culture</TD><TD WIDTH="10%" ALIGN="RIGHT">457</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Permissions</TD><TD WIDTH="10%" ALIGN="RIGHT">459</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Index</TD><TD WIDTH="10%" ALIGN="RIGHT">467</TD></TABLE> |
<article>
<h4>Patrick Henry Bass</h4>Cultural critic Kevin Powell's <i>Step into a World</i> is a watershed moment in hip-hop writing, a thought-provoking book with a broad range of voices, from Ben Okri to Junot Didaz. <br>
— <i>Essence</i>
</article>
<article>
<h4>Library Journal</h4>This anthology of young, contemporary black writers generally maintains a precarious balance between authentic discovery and promotional marketing, although the writing varies widely in quality and relevance (some selections are quite riveting, others just self-absorbed). Divided into six sections--"Essays," "Hip-Hop Journalism," "Criticism," "Fiction," "Poetry," and "Dialogue"--the collection presents a broad range of voices and perspectives, although a majority of them are, not surprisingly, from the United States. While some of the texts, particularly those on hip-hop, seem overly dramatic and hyperbolic, some very fine writing emerges in the "Essays" section. Mostly autobiographical, these selections address the very real contemporary problems of black identity in a post-Civil Rights era in which the political battle lines have become much more blurred and the issues of self, nation, class, gender, sexuality, and history are immensely complicated. The items in the "Dialogue" section are the most strident and the most inventive and compelling. Even though this book will mainly be used as a classroom textbook, it could be a valuable addition to larger collections and other libraries interested in offering brief introductions to young black writers.--Roger A. Berger, Everett Community Coll., WA Copyright 2000 Cahners Business Information.
</article> |
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| 15 | 2025-01-22 05:12:37 | 15 | An Anthology of Interracial Literature: Black-White Contacts in the Old World and the New | Werner Sollors | 0 | <p><p><B>Werner Sollors</B> is Henry B. and Anne M. Cabot Professor of English Literature and Professor of Afro-American Studies and Chair of the History of American Civilization Program at Harvard University. He is the author and editor of numerous books, including <I>The Multilingual Anthology of American Literature</I>, <I>Theories of Ethnicity: A Classical Reader</I>, and <I>Multilingual America: Transnationalism, Ethnicity, and the Languages of American Literature</I>, all available from NYU Press.<p></p> |
Werner Sollors, Werner Sollors | an-anthology-of-interracial-literature | werner-sollors | 9780814781432 | 814781438 | Hardcover | New York University Press | February 2004 | Language Arts & Disciplines | <p><p>A white knight meets his half-black half-brother in battle. A black hero marries a white woman. A slave mother kills her child by a rapist-master. A white-looking person of partly African ancestry passes for white. A master and a slave change places for a single night. An interracial marriage turns sour. The birth of a child brings a crisis. Such are some of the story lines to be found within the pages of <B>An Anthology of Interracial Literature</B>.<p> <p>This is the first anthology to explore the literary theme of black-white encounters, of love and family stories that cross—or are crossed by—what came to be considered racial boundaries. The anthology extends from Cleobolus' ancient Greek riddle to tormented encounters in the modern United States, visiting along the way a German medieval chivalric romance, excerpts from <I>Arabian Nights</I> and Italian Renaissance novellas, scenes and plays from Spain, Denmark, England, and the United States, as well as essays, autobiographical sketches, and numerous poems. The authors of the selections include some of the great names of world literature interspersed with lesser-known writers. Themes of interracial love and family relations, passing, and the figure of the Mulatto are threaded through the volume.<p> <p><B>An Anthology of Interracial Literature</B> allows scholars, students, and general readers to grapple with the extraordinary diversity in world literature. As multi-racial identification becomes more widespread the ethnic and cultural roots of world literature takes on new meaning.<p> <p>Contributors include: Hans Christian Andersen, Gwendolyn Brooks, Elizabeth Barrett Browning, Charles W. Chesnutt, Lydia MariaChild, Kate Chopin, Countee Cullen, Caroline Bond Day, Rita Dove, Alexandre Dumas, Olaudah Equiano, Langston Hughes, Victor Hugo, Charles Johnson, Adrienne Kennedy, Henry Wadsworth Longfellow, Guy de Maupassant, Claude McKay, Eugene O'Neill, Alexander Pushkin, and Jean Toomer.<p></p><h3>Library Journal</h3><p>Sollors (English literature & Afro-American studies, Harvard) has compiled the first scholarly anthology that centers on the theme in literature of love and family across, or crossed by, racial boundaries. As Sollors explains in the introduction, "It is a theme that makes for unusual intersections of the plots of love and family relations with issues of society and politics." The anthology contains a broad range of texts, including epics, poems, and novellas, and spans numerous cultures from the ancient to the contemporary. The authors included range from Hans Christian Andersen and Alexander Pushkin to Eugene O'Neill and Gwendolyn Brooks. One is reminded that color was an accidental quality in antiquity and the Christian Middle Ages; that during later times, censure existed; and that, in the United States in particular, interracial marriage bans were not deemed unconstitutional until 1967. As stated in a Rita Dove play: "A sniff of freedom's all it takes to feel history's sting." Recommended for academic libraries and for any reader working around the race rubric.-Scott Hightower, Fordham Univ., New York Copyright 2003 Reed Business Information.</p> |
<TABLE><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Acknowledgments</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Introduction</TD><TD WIDTH="10%" ALIGN="RIGHT">1</TD><TR><TD WIDTH="20%">1</TD><TD WIDTH="70%">"Riddle" (5th century B.C.)</TD><TD WIDTH="10%" ALIGN="RIGHT">7</TD><TR><TD WIDTH="20%">2</TD><TD WIDTH="70%">From Parzival (1197-1210)</TD><TD WIDTH="10%" ALIGN="RIGHT">8</TD><TR><TD WIDTH="20%">3</TD><TD WIDTH="70%">From The Book of the Thousand Nights and One Night</TD><TD WIDTH="10%" ALIGN="RIGHT">57</TD><TR><TD WIDTH="20%">4</TD><TD WIDTH="70%">From Il Novellino (1475)</TD><TD WIDTH="10%" ALIGN="RIGHT">69</TD><TR><TD WIDTH="20%">5</TD><TD WIDTH="70%">From Hecatommithi (1565)</TD><TD WIDTH="10%" ALIGN="RIGHT">85</TD><TR><TD WIDTH="20%">6</TD><TD WIDTH="70%">"The Beautiful Slave-Girl" (1614)</TD><TD WIDTH="10%" ALIGN="RIGHT">97</TD><TR><TD WIDTH="20%">7</TD><TD WIDTH="70%">"A Negress Courts Cestus, a Man of a Different Colour" (1633)</TD><TD WIDTH="10%" ALIGN="RIGHT">99</TD><TR><TD WIDTH="20%">8</TD><TD WIDTH="70%">"A Faire Nimph Scorning a Black Boy Courting Her" (1658)</TD><TD WIDTH="10%" ALIGN="RIGHT">101</TD><TR><TD WIDTH="20%">9</TD><TD WIDTH="70%">"The Inversion" (1657), "One Enamour'd on a Black-moor" (1657), "A Black Nymph Scorning a Fair Boy Courting Her" (1657)</TD><TD WIDTH="10%" ALIGN="RIGHT">103</TD><TR><TD WIDTH="20%">10</TD><TD WIDTH="70%">"To Mrs. Diana Cecyll" (1665), "The Brown Beauty" (1665), "Sonnet of Black Beauty (1665), "Another Sonnet to Black It Self" (1665)</TD><TD WIDTH="10%" ALIGN="RIGHT">107</TD><TR><TD WIDTH="20%">11</TD><TD WIDTH="70%">"In Laudem Aethiopissae" (1778)</TD><TD WIDTH="10%" ALIGN="RIGHT">110</TD><TR><TD WIDTH="20%">12</TD><TD WIDTH="70%">The Isle of Pines (1668)</TD><TD WIDTH="10%" ALIGN="RIGHT">115</TD><TR><TD WIDTH="20%">13</TD><TD WIDTH="70%">From Oroonoko: A Tragedy in Five Acts (1696)</TD><TD WIDTH="10%" ALIGN="RIGHT">132</TD><TR><TD WIDTH="20%">14</TD><TD WIDTH="70%">"On a Young Lady's Weeping at Oroonooko" (1732), "To a Gentleman in Love with a Negro Woman" (1732)</TD><TD WIDTH="10%" ALIGN="RIGHT">143</TD><TR><TD WIDTH="20%">15</TD><TD WIDTH="70%">Two Versions of the Story of Inkle and Yarico</TD><TD WIDTH="10%" ALIGN="RIGHT">145</TD><TR><TD WIDTH="20%">16</TD><TD WIDTH="70%">The Dying Negro (1773)</TD><TD WIDTH="10%" ALIGN="RIGHT">152</TD><TR><TD WIDTH="20%">17</TD><TD WIDTH="70%">Letter to James Tobin (1788)</TD><TD WIDTH="10%" ALIGN="RIGHT">161</TD><TR><TD WIDTH="20%">18</TD><TD WIDTH="70%">The Engagement in Santo Domingo (1811)</TD><TD WIDTH="10%" ALIGN="RIGHT">167</TD><TR><TD WIDTH="20%">19</TD><TD WIDTH="70%">Ourika (1823)</TD><TD WIDTH="10%" ALIGN="RIGHT">189</TD><TR><TD WIDTH="20%">20</TD><TD WIDTH="70%">The Blackamoor of Peter the Great (1827-1828)</TD><TD WIDTH="10%" ALIGN="RIGHT">208</TD><TR><TD WIDTH="20%">21</TD><TD WIDTH="70%">"The Quadroons" (1842)</TD><TD WIDTH="10%" ALIGN="RIGHT">232</TD><TR><TD WIDTH="20%">22</TD><TD WIDTH="70%">From Georges (1843)</TD><TD WIDTH="10%" ALIGN="RIGHT">240</TD><TR><TD WIDTH="20%">23</TD><TD WIDTH="70%">From Beyond the Seas (1863-1864)</TD><TD WIDTH="10%" ALIGN="RIGHT">253</TD><TR><TD WIDTH="20%">24</TD><TD WIDTH="70%">"The Quadroom Girl" (1842)</TD><TD WIDTH="10%" ALIGN="RIGHT">278</TD><TR><TD WIDTH="20%">25</TD><TD WIDTH="70%">"The Runaway Slave at Pilgrim's Point" (1848)</TD><TD WIDTH="10%" ALIGN="RIGHT">280</TD><TR><TD WIDTH="20%">26</TD><TD WIDTH="70%">"The Pilot's Story" (1860)</TD><TD WIDTH="10%" ALIGN="RIGHT">288</TD><TR><TD WIDTH="20%">27</TD><TD WIDTH="70%">From Mulatto: An Original Romantic Drama in Five Acts (1840)</TD><TD WIDTH="10%" ALIGN="RIGHT">292</TD><TR><TD WIDTH="20%">28</TD><TD WIDTH="70%">The Octoroon; or, Life in Louisiana: A Play in Five Acts (1859)</TD><TD WIDTH="10%" ALIGN="RIGHT">300</TD><TR><TD WIDTH="20%">29</TD><TD WIDTH="70%">From Black and White: A Drama in Three Acts (1869)</TD><TD WIDTH="10%" ALIGN="RIGHT">337</TD><TR><TD WIDTH="20%">30</TD><TD WIDTH="70%">From Miscegenation: The Theory of the Blending of the Races, Applied to the American White Man and Negro (1863)</TD><TD WIDTH="10%" ALIGN="RIGHT">350</TD><TR><TD WIDTH="20%">31</TD><TD WIDTH="70%">Madame Delphine (1881)</TD><TD WIDTH="10%" ALIGN="RIGHT">383</TD><TR><TD WIDTH="20%">32</TD><TD WIDTH="70%">From "The Pariah" (1895)</TD><TD WIDTH="10%" ALIGN="RIGHT">421</TD><TR><TD WIDTH="20%">33</TD><TD WIDTH="70%">"Boitelle" (1889)</TD><TD WIDTH="10%" ALIGN="RIGHT">424</TD><TR><TD WIDTH="20%">34</TD><TD WIDTH="70%">"The Father of Desiree's Baby" (1893)</TD><TD WIDTH="10%" ALIGN="RIGHT">431</TD><TR><TD WIDTH="20%">35</TD><TD WIDTH="70%">"Uncle Wellington's Wives" (1899)</TD><TD WIDTH="10%" ALIGN="RIGHT">436</TD><TR><TD WIDTH="20%">36</TD><TD WIDTH="70%">"The Mulatto to His Critics" (1918)</TD><TD WIDTH="10%" ALIGN="RIGHT">461</TD><TR><TD WIDTH="20%">37</TD><TD WIDTH="70%">"The Octoroon" (1922), "Cosmopolite" (1922), "The Riddle" (1925)</TD><TD WIDTH="10%" ALIGN="RIGHT">462</TD><TR><TD WIDTH="20%">38</TD><TD WIDTH="70%">From The Vengeance of the Gods (1922)</TD><TD WIDTH="10%" ALIGN="RIGHT">464</TD><TR><TD WIDTH="20%">39</TD><TD WIDTH="70%">"Hope" (1922)</TD><TD WIDTH="10%" ALIGN="RIGHT">473</TD><TR><TD WIDTH="20%">40</TD><TD WIDTH="70%">"Withered Skin of Berries" (1923)</TD><TD WIDTH="10%" ALIGN="RIGHT">476</TD><TR><TD WIDTH="20%">41</TD><TD WIDTH="70%">"Confession" (1929)</TD><TD WIDTH="10%" ALIGN="RIGHT">498</TD><TR><TD WIDTH="20%">42</TD><TD WIDTH="70%">All God's Chillun Got Wings (1924)</TD><TD WIDTH="10%" ALIGN="RIGHT">504</TD><TR><TD WIDTH="20%">43</TD><TD WIDTH="70%">"Near White" (1925), "Two Who Crossed a Line" (1925)</TD><TD WIDTH="10%" ALIGN="RIGHT">530</TD><TR><TD WIDTH="20%">44</TD><TD WIDTH="70%">"Cross" (1925), "Mulatto" (1927), Mulatto: A Tragedy of the Deep South (1935)</TD><TD WIDTH="10%" ALIGN="RIGHT">532</TD><TR><TD WIDTH="20%">45</TD><TD WIDTH="70%">"The Mulatto" (1925), "Near-White" (1932)</TD><TD WIDTH="10%" ALIGN="RIGHT">559</TD><TR><TD WIDTH="20%">46</TD><TD WIDTH="70%">"The Pink Hat" (1926)</TD><TD WIDTH="10%" ALIGN="RIGHT">573</TD><TR><TD WIDTH="20%">47</TD><TD WIDTH="70%">"Ballad of Pearl May Lee" (1945)</TD><TD WIDTH="10%" ALIGN="RIGHT">577</TD><TR><TD WIDTH="20%">48</TD><TD WIDTH="70%">The Owl Answers (1963)</TD><TD WIDTH="10%" ALIGN="RIGHT">583</TD><TR><TD WIDTH="20%">49</TD><TD WIDTH="70%">From Oxherding Tale (1982)</TD><TD WIDTH="10%" ALIGN="RIGHT">594</TD><TR><TD WIDTH="20%">50</TD><TD WIDTH="70%">From The Darker Face of the Earth (1994)</TD><TD WIDTH="10%" ALIGN="RIGHT">606</TD><TR><TD WIDTH="20%">51</TD><TD WIDTH="70%">From Buck (2001)</TD><TD WIDTH="10%" ALIGN="RIGHT">634</TD><TR><TD WIDTH="20%">52</TD><TD WIDTH="70%">From The Secret Life of Fred Astaire (2001)</TD><TD WIDTH="10%" ALIGN="RIGHT">653</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Sources</TD><TD WIDTH="10%" ALIGN="RIGHT">667</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Index</TD><TD WIDTH="10%" ALIGN="RIGHT">673</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">About the Editor</TD><TD WIDTH="10%" ALIGN="RIGHT">675</TD></TABLE> |
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| 16 | 2025-01-22 05:12:37 | 16 | The Caine Prize 2009: The Caine Prize for African Writing 10th Annual Collection | New Internationalist | 0 | <p><P>The New Internationalist is an independent not-for-profit publishing co-operative. Our mission is to report on issues of world poverty and inequality: to focus attention on the unjust relationship between the powerful and the powerless worldwide: to debate and campaign for the radical changes necessary if the needs of all are to be met.</p> | New Internationalist | the-caine-prize-2009 | new-internationalist | 9781906523145 | 1906523142 | $16.24 | Paperback | New Internationalist | July 2009 | 10 | Short Story Anthologies, African Fiction, African Literature Anthologies | 214 | 5.80 (w) x 8.20 (h) x 0.60 (d) | <p><b>The Caine Prize for African Writing</b> is Africa’s leading literary prize and is awarded to a short story by an African writer published in English, whether in Africa or elsewhere. This edition collects the five 2009 shortlisted stories, along with twelve stories written at the Caine Prize Writers’ Workshop, taking place in spring 2009.</p>
<p>Previous winners and entrants include Segun Afolabi, Leila Aboulela, Chimamanda Ngozi Adichie, Brian Chikwava, Henrietta Rose-Innes, Mary Watson, and Binyavanga Wainaina.</p>
<p>The collection will be released in time for the announcement of the award in July 2009.</p>
<p><b>This year's shortlist:</b></p>
<p>* <b>Mamle Kabu</b> (Ghana), 'The End of Skill from Dreams,' from <i>Miracles and Jazz</i>, published by Picador Africa, Johannesburg 2008</p>
<p>* <b>Parselelo Kantai</b> (Kenya), 'You Wreck Her,' from the <i>St Petersburg Review</i>, NY 2008</p>
<p>* <b>Alistair Morgan</b> (South Africa), 'Icebergs,' from <i>The Paris Review</i> no.<br>
183, NY 2008</p>
<p>* <b>EC Osondu</b> (Nigeria), 'Waiting,' from <i>Guernicamag.com</i>, October 2008</p>
<p>* <b>Mukoma wa Ngugi</b> (Kenya), 'How Kamau wa Mwangi Escaped into Exile,' from <i>Wasafiri</i> No54, Summer 2008, London</p> |
<p><P>The best in new short story fiction from Africa's leading literary award.</p> | ||||||||||
| 17 | 2025-01-22 05:12:37 | 17 | Traditions in World Literature: Literature of Africa, Softcover Student Edition | McGraw-Hill | 0 | <p>McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide</p> | McGraw-Hill, McGraw-Hill Staff | traditions-in-world-literature | mcgraw-hill | 9780844212029 | 844212024 | $7.55 | Paperback | Glencoe/McGraw-Hill | January 1999 | 1 | Anthologies | 320 | 7.40 (w) x 9.10 (h) x 0.80 (d) | <p>Presents writings from Ghana, Nigeria, Senegal, South Africa, and other parts of Africa, with biographical information about the authors, discussion questions, and writing ...</p><h3>Biography</h3><p>McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide</p> | |||||||||||
| 18 | 2025-01-22 05:12:37 | 18 | Love Child | Gcina Mhlophe | 0 | Gcina Mhlophe | love-child | gcina-mhlophe | 9781869140014 | 186914001X | $8.97 | Paperback | University Of KwaZulu-Natal Press | March 2002 | African Literature Anthologies | 124 | 8.50 (w) x 5.30 (h) x 0.40 (d) | <p>Gcina Mhlophe is a poet, playwright, performer and South Africa's favorite storyteller. In this fascinating retrospective collection, she shares her personal journey through the social and political landscapes of the 1980s, with its recollected moments of struggle and transformation along the way. Written in a variety of styles and voices, ranging from anecdotal memory to historical moment to folklore tradition, these simply presented poems and stories are by turns funny, touching, chilling, thought-provoking and absorbing. Love Child is a collection for the new millennium generation. It is valuable not just for the deeply-felt personal and political insights it has to offer, but for the accessible ease with which it manages to capture the seminal moments of black South African history in the preserving amber of the author's personal recollection.</p> |
<TABLE><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Foreword</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Transforming Moments</TD><TD WIDTH="10%" ALIGN="RIGHT">1</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">In the Company of Words</TD><TD WIDTH="10%" ALIGN="RIGHT">9</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Toilet</TD><TD WIDTH="10%" ALIGN="RIGHT">11</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Nongenile</TD><TD WIDTH="10%" ALIGN="RIGHT">19</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Sweet Honey Nights</TD><TD WIDTH="10%" ALIGN="RIGHT">22</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Praise to Our Mothers</TD><TD WIDTH="10%" ALIGN="RIGHT">26</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">My Dear Madam</TD><TD WIDTH="10%" ALIGN="RIGHT">29</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Say No</TD><TD WIDTH="10%" ALIGN="RIGHT">45</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">My Father</TD><TD WIDTH="10%" ALIGN="RIGHT">47</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">I Fell in Love</TD><TD WIDTH="10%" ALIGN="RIGHT">53</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Crocodile Spirit</TD><TD WIDTH="10%" ALIGN="RIGHT">56</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Sometimes When it Rains</TD><TD WIDTH="10%" ALIGN="RIGHT">62</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Nokulunga's Wedding</TD><TD WIDTH="10%" ALIGN="RIGHT">64</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">We Are at War</TD><TD WIDTH="10%" ALIGN="RIGHT">73</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Dumisani</TD><TD WIDTH="10%" ALIGN="RIGHT">76</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Sitting Alone Thinking</TD><TD WIDTH="10%" ALIGN="RIGHT">85</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">It's Quiet Now</TD><TD WIDTH="10%" ALIGN="RIGHT">87</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Dancer</TD><TD WIDTH="10%" ALIGN="RIGHT">90</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Fly, Hat, Fly!</TD><TD WIDTH="10%" ALIGN="RIGHT">92</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Leader Remember</TD><TD WIDTH="10%" ALIGN="RIGHT">95</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Love Child</TD><TD WIDTH="10%" ALIGN="RIGHT">98</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Brighter Dawn for African Women</TD><TD WIDTH="10%" ALIGN="RIGHT">107</TD></TABLE> |
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| 19 | 2025-01-22 05:12:37 | 19 | Seventh Street Alchemy 2004: A Selection of Works from the Caine Prize for African Writing | Jacana Media | 0 | <p><p><b>Brian Chikwava</b> is Zimbabwean writer and the 2004 Caine Prize for African Writing winner. <b>Doreen Baingana</b>,<b> Monica Arac de Nyeko</b>, and <b>Parselelo Kantai</b> were on the shortlist for the same prize. <b>Nick Elam </b>is the administrator for the Caine Prize for African Writing.<br></p> | Jacana Media (Manufactured by), Monica Arac de Nyeko, Doreen Baingana, Parselelo Kantai | seventh-street-alchemy-2004 | jacana-media | 9781770091450 | 1770091459 | $25.13 | Paperback | Jacana Media | June 2006 | Short Story Anthologies, African Fiction, African Literature Anthologies | 228 | 5.75 (w) x 8.25 (h) x 0.50 (d) | <p>The 2004 winner of the Caine Prize for African Writing, Brian Chikwava's "Seventh Street Alchemy" is featured alongside shortlisted stories from 2004, compositions from the Caine Prize's March 2005 Workshop for African Writers, and Charles Mungoshi's previously unpublished "Letter from a Friend" in this inspired collection of work from some of Africa's most promising young and new writers.<br>
</p> |
<p><p>The 2004 winner of the Caine Prize for African Writing, Brian Chikwava's "Seventh Street Alchemy" is featured alongside shortlisted stories from 2004, compositions from the Caine Prize's March 2005 Workshop for African Writers, and Charles Mungoshi's previously unpublished "Letter from a Friend" in this inspired collection of work from some of Africa's most promising young and new writers.<br></p> |
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| 20 | 2025-01-22 05:12:37 | 20 | Women Writing Africa: The Southern Region: Volume 1 | Sheila Meintjes | 0 | Sheila Meintjes, Dorothy Driver (Editor), Sheila Meintjes (Editor), Margie Orford (Editor), Chiedza Musengezi | women-writing-africa | sheila-meintjes | 9781558614062 | 1558614060 | $1.99 | Library Binding | Feminist Press at CUNY, The | December 2002 | First Edition | Places - Literary Anthologies, African Literature Anthologies, General & Miscellaneous African History, Women's History - Africa, Sub-Saharan | 560 | 6.30 (w) x 9.30 (h) x 1.50 (d) | <p>A landmark in scholarship and culture, this volume uncovers the stunning literary legacy of African women, heretofore all but invisible.</p>
<p>Beginning with a Sesotho women’s lament song from 1842, this volume brings together poetry, songs, newspaper columns, political petitions, personal letters, and prison diaries, along with little-known works by writers such as Bessie Head, Doris Lessing, Yvonne Vera, Zoë Wicomb, and Nadine Gordimer. Each of the 120 texts in the volume is accompanied by a scholarly note that provides detailed background information, while an introductory essay sets the broader historical stage. Approximately one third of the texts are oral in origin, and few have previously been available in book form.</p> |
<p><P>An essential text for libraries—the definitive collection of women's literatures from southern Africa.</p><h3>Library Journal</h3><p>This rich resource for scholars and general readers alike is the product of a decade of research by the Women Writing Africa Project. The project, funded by the Ford and Rockefeller foundations, seeks to bring African women's literary voices to the public through four volumes of texts arranged by region. The first volume in this distinctive series presents 120 southern African texts that are rich, evocative, and shaped by endless complexities. The settler colonies, such as Namibia, South Africa, and Zimbabwe, offer the largest body of research materials to be mined. Botswana's lack of colonialism meant that literacy came at a later date than in other countries, so texts are available only from the mid-1920s. Lesotho has older texts, however, owing to the presence of a Christian mission. Spanning two centuries (the 19th and the 20th) and featuring such writers as Tsitsi Dangarembga, Nadine Gordimer, Lauretta Ngcobo, Doris Lessing, and Winnie Mandela, the anthology includes texts that range from songs, poems, fiction, praise poems, and folktales to letters, journals, historical documents, journalism pieces, and oral testimonies. The volume's editors, all South African scholars, have also included a journal by a Boer woman written during the Anglo-Boer War, a testimony before the Truth and Reconciliation Commission, and songs of female initiation into adulthood. These selections, most of which have never before been assembled or published, often call into question such important matters as borders, language, vocabulary, translation, and colonialism. The lengthy introduction adequately explicates the historical as well as textual meaning, and each text's headnote provides context and useful details about the date of its origin, location, and language. Essential for all academic libraries and highly recommended for larger public libraries.-Neal Wyatt, Chesterfield Cty. P.L., VA Copyright 2003 Reed Business Information.</p> |
<TABLE><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Note on the Women Writing Africa Project</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Preface</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Introduction</TD><TD WIDTH="10%" ALIGN="RIGHT">1</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Nineteenth Century</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Song of the Afflicted</TD><TD WIDTH="10%" ALIGN="RIGHT">85</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Testimony</TD><TD WIDTH="10%" ALIGN="RIGHT">86</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Letters and Land Submission</TD><TD WIDTH="10%" ALIGN="RIGHT">91</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">God's Peace and Blessing</TD><TD WIDTH="10%" ALIGN="RIGHT">96</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Account of Cape Town</TD><TD WIDTH="10%" ALIGN="RIGHT">98</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Mother Praises Her Baby</TD><TD WIDTH="10%" ALIGN="RIGHT">105</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Unanana-bosele</TD><TD WIDTH="10%" ALIGN="RIGHT">106</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Affidavit</TD><TD WIDTH="10%" ALIGN="RIGHT">109</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">What the Maidens Do with Rooi Klip</TD><TD WIDTH="10%" ALIGN="RIGHT">111</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Letter to Miss Mackenzie</TD><TD WIDTH="10%" ALIGN="RIGHT">113</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Story of Ngangezwe and Mnyamana</TD><TD WIDTH="10%" ALIGN="RIGHT">115</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The War in Zululand</TD><TD WIDTH="10%" ALIGN="RIGHT">120</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Two Lions Who Changed Themselves into People and Married Two Herero Girls</TD><TD WIDTH="10%" ALIGN="RIGHT">124</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Leaving the Farm</TD><TD WIDTH="10%" ALIGN="RIGHT">125</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Portrait of Louisa</TD><TD WIDTH="10%" ALIGN="RIGHT">128</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Penelopa Lienguane</TD><TD WIDTH="10%" ALIGN="RIGHT">131</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Testimony of a School Girl</TD><TD WIDTH="10%" ALIGN="RIGHT">134</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">1900 to 1919</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Journal of the War</TD><TD WIDTH="10%" ALIGN="RIGHT">139</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Moliege's Vengeance</TD><TD WIDTH="10%" ALIGN="RIGHT">144</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Ominous Weather</TD><TD WIDTH="10%" ALIGN="RIGHT">147</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Court Record</TD><TD WIDTH="10%" ALIGN="RIGHT">152</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Women's Petition: Domestic Unhappiness</TD><TD WIDTH="10%" ALIGN="RIGHT">155</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Letter from Karibib</TD><TD WIDTH="10%" ALIGN="RIGHT">157</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Petition of the Native and Coloured Women of the Province of the Orange Free State</TD><TD WIDTH="10%" ALIGN="RIGHT">158</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Africa: My Native Land</TD><TD WIDTH="10%" ALIGN="RIGHT">161</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A "Little Woman's" Advice to the Public</TD><TD WIDTH="10%" ALIGN="RIGHT">162</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Baster Affidavit</TD><TD WIDTH="10%" ALIGN="RIGHT">165</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">1920s to 1950s</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Address to the Resident Commissioner</TD><TD WIDTH="10%" ALIGN="RIGHT">171</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Going to School</TD><TD WIDTH="10%" ALIGN="RIGHT">173</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Listen, Compatriots!</TD><TD WIDTH="10%" ALIGN="RIGHT">176</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Letter to the High Commissioner</TD><TD WIDTH="10%" ALIGN="RIGHT">180</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Inheritance: Two Letters</TD><TD WIDTH="10%" ALIGN="RIGHT">182</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Speech to the Bangwaketse</TD><TD WIDTH="10%" ALIGN="RIGHT">187</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Bantu Home Life</TD><TD WIDTH="10%" ALIGN="RIGHT">189</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Social Conditions Among Bantu Women and Girls</TD><TD WIDTH="10%" ALIGN="RIGHT">195</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Story of Nosente</TD><TD WIDTH="10%" ALIGN="RIGHT">200</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">UMandisa</TD><TD WIDTH="10%" ALIGN="RIGHT">205</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Nation Is Going to Ruination</TD><TD WIDTH="10%" ALIGN="RIGHT">209</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Flight of the Royal Household</TD><TD WIDTH="10%" ALIGN="RIGHT">212</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Letter from Keetmanshoop</TD><TD WIDTH="10%" ALIGN="RIGHT">219</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Meeting of Herero Women</TD><TD WIDTH="10%" ALIGN="RIGHT">221</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Case of the Foolish Minister</TD><TD WIDTH="10%" ALIGN="RIGHT">225</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Though I Am Black, I Am Comely</TD><TD WIDTH="10%" ALIGN="RIGHT">229</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Song of King Iipumbu</TD><TD WIDTH="10%" ALIGN="RIGHT">231</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Women's Charter</TD><TD WIDTH="10%" ALIGN="RIGHT">236</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Presidential Address to the African National Congress Women's League, Transvaal</TD><TD WIDTH="10%" ALIGN="RIGHT">240</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Two Songs</TD><TD WIDTH="10%" ALIGN="RIGHT">245</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">African Women Do Not Want Passes</TD><TD WIDTH="10%" ALIGN="RIGHT">246</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Widows of the Reserves</TD><TD WIDTH="10%" ALIGN="RIGHT">248</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">It's Gotta Be Cash for a Cookie</TD><TD WIDTH="10%" ALIGN="RIGHT">252</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Aunt, Stretch out the Blanket</TD><TD WIDTH="10%" ALIGN="RIGHT">254</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">1960s and 1970s</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Girl Aga-abes</TD><TD WIDTH="10%" ALIGN="RIGHT">259</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Diary of a Detainee</TD><TD WIDTH="10%" ALIGN="RIGHT">263</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Past and Present</TD><TD WIDTH="10%" ALIGN="RIGHT">268</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Bus Journey to Tsolo</TD><TD WIDTH="10%" ALIGN="RIGHT">271</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Three Court Statements</TD><TD WIDTH="10%" ALIGN="RIGHT">283</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Widow and the Baboons</TD><TD WIDTH="10%" ALIGN="RIGHT">285</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Ballad of Nomagundwane</TD><TD WIDTH="10%" ALIGN="RIGHT">287</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">For "Napoleon Bonaparte," Jenny, and Kate</TD><TD WIDTH="10%" ALIGN="RIGHT">290</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">What of the Future?</TD><TD WIDTH="10%" ALIGN="RIGHT">303</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">I Drift in the Wind</TD><TD WIDTH="10%" ALIGN="RIGHT">306</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">I am a Wailing Fool</TD><TD WIDTH="10%" ALIGN="RIGHT">308</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Murmurs in the Kutum</TD><TD WIDTH="10%" ALIGN="RIGHT">309</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Tobacco, Sugar Alcohol, and Coffee: These Things Have Turned Us into Slaves</TD><TD WIDTH="10%" ALIGN="RIGHT">315</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Man Hides Food from His Family</TD><TD WIDTH="10%" ALIGN="RIGHT">316</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Fall Tomorrow</TD><TD WIDTH="10%" ALIGN="RIGHT">333</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Old People Give You Life</TD><TD WIDTH="10%" ALIGN="RIGHT">335</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Emergency Call from the Women of Namibia</TD><TD WIDTH="10%" ALIGN="RIGHT">337</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Women Are Wealth</TD><TD WIDTH="10%" ALIGN="RIGHT">339</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Poem for My Mother</TD><TD WIDTH="10%" ALIGN="RIGHT">343</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Detention Alone Is a Trial in Itself</TD><TD WIDTH="10%" ALIGN="RIGHT">344</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Basking Lizard</TD><TD WIDTH="10%" ALIGN="RIGHT">346</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Working on the Mail</TD><TD WIDTH="10%" ALIGN="RIGHT">348</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">1980s</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Rending of the Veil</TD><TD WIDTH="10%" ALIGN="RIGHT">357</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Haunting Melancholy of Klipvoordam</TD><TD WIDTH="10%" ALIGN="RIGHT">363</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Return Journey</TD><TD WIDTH="10%" ALIGN="RIGHT">372</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Arrested for Being Women</TD><TD WIDTH="10%" ALIGN="RIGHT">375</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Crossroads</TD><TD WIDTH="10%" ALIGN="RIGHT">377</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Kandishiwo - I Don't Know</TD><TD WIDTH="10%" ALIGN="RIGHT">380</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Woman</TD><TD WIDTH="10%" ALIGN="RIGHT">385</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Citizenship: An Open Letter to the Attorney-General</TD><TD WIDTH="10%" ALIGN="RIGHT">386</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">I, the Unemployed</TD><TD WIDTH="10%" ALIGN="RIGHT">390</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Letter</TD><TD WIDTH="10%" ALIGN="RIGHT">392</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Our Sharpeville</TD><TD WIDTH="10%" ALIGN="RIGHT">397</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Our Government Is a Glowing Ember</TD><TD WIDTH="10%" ALIGN="RIGHT">398</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">For Willy Nyathele</TD><TD WIDTH="10%" ALIGN="RIGHT">400</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Jesus Is Indian</TD><TD WIDTH="10%" ALIGN="RIGHT">402</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Children of Namibia</TD><TD WIDTH="10%" ALIGN="RIGHT">411</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Praise to Our Mothers</TD><TD WIDTH="10%" ALIGN="RIGHT">413</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">T.M.T. [actual symbol not reproducible] T.B.M.G.</TD><TD WIDTH="10%" ALIGN="RIGHT">415</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">1990s and 2000s</TD><TD WIDTH="10%" ALIGN="RIGHT"></TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Another Story</TD><TD WIDTH="10%" ALIGN="RIGHT">419</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">War from Within</TD><TD WIDTH="10%" ALIGN="RIGHT">430</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Krotoa's Story</TD><TD WIDTH="10%" ALIGN="RIGHT">433</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Stella</TD><TD WIDTH="10%" ALIGN="RIGHT">438</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Giraffe Song</TD><TD WIDTH="10%" ALIGN="RIGHT">442</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Nhamiwa's Magic Stick</TD><TD WIDTH="10%" ALIGN="RIGHT">444</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">"Lend Me a Dress": Testimonies on Education</TD><TD WIDTH="10%" ALIGN="RIGHT">446</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Broken Family</TD><TD WIDTH="10%" ALIGN="RIGHT">448</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Two Dream-Miracle Stories</TD><TD WIDTH="10%" ALIGN="RIGHT">453</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Praise to Mbuya Nehanda</TD><TD WIDTH="10%" ALIGN="RIGHT">455</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">A Noble Woman of Africa</TD><TD WIDTH="10%" ALIGN="RIGHT">457</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Swazi Wedding Songs</TD><TD WIDTH="10%" ALIGN="RIGHT">461</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Izisho Zokusebenza - Work Songs</TD><TD WIDTH="10%" ALIGN="RIGHT">463</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">April 27: The First Time</TD><TD WIDTH="10%" ALIGN="RIGHT">467</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Before the Beginning</TD><TD WIDTH="10%" ALIGN="RIGHT">470</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Price of Freedom</TD><TD WIDTH="10%" ALIGN="RIGHT">471</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Ngonya's Bride-Price</TD><TD WIDTH="10%" ALIGN="RIGHT">476</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Testimony: Truth and Reconciliation Commission</TD><TD WIDTH="10%" ALIGN="RIGHT">479</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">We Will Be Leasing for Ourselves</TD><TD WIDTH="10%" ALIGN="RIGHT">484</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Writing near the Bone</TD><TD WIDTH="10%" ALIGN="RIGHT">488</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">African Wisdom</TD><TD WIDTH="10%" ALIGN="RIGHT">491</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">War Memoir</TD><TD WIDTH="10%" ALIGN="RIGHT">494</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">The Birth of This Country's Language</TD><TD WIDTH="10%" ALIGN="RIGHT">500</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Bojale - Setswana Initiation Songs</TD><TD WIDTH="10%" ALIGN="RIGHT">506</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Intonjane - Xhosa Initiation Songs</TD><TD WIDTH="10%" ALIGN="RIGHT">507</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Mutondo - Nyemba Initiation Songs</TD><TD WIDTH="10%" ALIGN="RIGHT">510</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Setswana Wedding Songs</TD><TD WIDTH="10%" ALIGN="RIGHT">513</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Good as Dead</TD><TD WIDTH="10%" ALIGN="RIGHT">515</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Caring for the Dying</TD><TD WIDTH="10%" ALIGN="RIGHT">520</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Generations</TD><TD WIDTH="10%" ALIGN="RIGHT">522</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Contributors</TD><TD WIDTH="10%" ALIGN="RIGHT">525</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Permissions Acknowledgments and Sources</TD><TD WIDTH="10%" ALIGN="RIGHT">537</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Authors Listed by Country</TD><TD WIDTH="10%" ALIGN="RIGHT">549</TD><TR><TD WIDTH="20%"></TD><TD WIDTH="70%">Index</TD><TD WIDTH="10%" ALIGN="RIGHT">551</TD></TABLE> |
<article>
<h4>Library Journal</h4>This rich resource for scholars and general readers alike is the product of a decade of research by the Women Writing Africa Project. The project, funded by the Ford and Rockefeller foundations, seeks to bring African women's literary voices to the public through four volumes of texts arranged by region. The first volume in this distinctive series presents 120 southern African texts that are rich, evocative, and shaped by endless complexities. The settler colonies, such as Namibia, South Africa, and Zimbabwe, offer the largest body of research materials to be mined. Botswana's lack of colonialism meant that literacy came at a later date than in other countries, so texts are available only from the mid-1920s. Lesotho has older texts, however, owing to the presence of a Christian mission. Spanning two centuries (the 19th and the 20th) and featuring such writers as Tsitsi Dangarembga, Nadine Gordimer, Lauretta Ngcobo, Doris Lessing, and Winnie Mandela, the anthology includes texts that range from songs, poems, fiction, praise poems, and folktales to letters, journals, historical documents, journalism pieces, and oral testimonies. The volume's editors, all South African scholars, have also included a journal by a Boer woman written during the Anglo-Boer War, a testimony before the Truth and Reconciliation Commission, and songs of female initiation into adulthood. These selections, most of which have never before been assembled or published, often call into question such important matters as borders, language, vocabulary, translation, and colonialism. The lengthy introduction adequately explicates the historical as well as textual meaning, and each text's headnote provides context and useful details about the date of its origin, location, and language. Essential for all academic libraries and highly recommended for larger public libraries.-Neal Wyatt, Chesterfield Cty. P.L., VA Copyright 2003 Reed Business Information.
</article> |
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| iphones.id | iphones.ts | iphones.field_1 | iphones.field_2 | iphones.field_3 | iphones.field_4 | iphones.field_5 | iphones.field_6 | iphones.field_7 | iphones.field_8 | iphones.field_9 | iphones.field_10 | iphones.field_11 | iphones.field_12 | iphones.field_13 | iphones.field_14 | iphones.field_15 | iphones.field_16 | iphones.field_17 | iphones.field_18 | iphones.field_19 | iphones.field_20 | iphones.field_21 | iphones.field_22 | iphones.field_23 | iphones.field_24 | iphones.nullyear | iphones.age | iphones.ethnic | iphones.sex | iphones.area | iphones.count |
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